2025-ongoing
Yang Fang brings together archival family photographs and newly produced images to construct a visual autobiography that bridges private memory and historical context. By juxtaposing past and present, it examines how an individual life is inscribed with the subtle markers of a particular era. Oral histories further expand the narrative, revealing the social textures embedded in everyday gestures and domestic spaces. Through this intergenerational dialogue, the work reflects on how personal histories are preserved, reinterpreted, and continually reshaped through images.
2024-ongoing
Neither Here Nor There examines the lived experiences of young Chinese women in London, considering how cultural identity is negotiated within diasporic and urban contexts. It explores how interactions with urban space shape subjectivity, and how these individual experiences reflect broader processes of migration and transnational mobility.
2023-ongoing
Fleeting Echoes explores urban wandering through the lens of psychogeography. It investigates how interactions with the city shape perception and movement, revealing hidden patterns and affective atmospheres. The work considers how personal experiences of urban space intersect with broader social and spatial narratives.
2022
I thought You Would Like It collects and reinterprets birthday gifts to explore how social relationships and identity are mutually constructed. Each object, as a site of material culture, reveals aspects of the giver’s and receiver’s identity, allowing insights into personality, social roles, and relational dynamics. The work considers how selfhood emerges through interactions with both people and things.